"I wanted [Femme fetale] to sound different from everything else out right now O'RLY!?

Britney sat down with Rolling stone (by sat down I mean slumped down into a corner of her living room sofa with a ding dong and a pack of ho-ho's. And by with I mean over the phone on loudspeaker, so bitch has a hand free to push Sean Preston down from climbing up onto the coffee table) to talk about her seventh studio album Femme fetale.

I have always been heavily involved in every album I have ever made. I'm very stubborn when it comes to recording and will only record songs I love, which is why it takes me a long time to make an album. I have to feel connected before I record and the song has to spark something inside me.

I see Britney's got jokes. Femme fetale is the album Britney had the LEAST involvement in. It marks the only release aside from her debut which does not feature a songwriting credit from Britney herself. Max Martin threw it RIGHT back with Femme fetale. Giving a chick no say, no control, no nothing, like her ass just got signed. I find it funny how she talks about being connected to a song, yet she sounds so disconnected on most of what she records now-a-days.

I wanted to make a fresh-sounding album for the clubs or something that you play in your car when you’re going out at night that gets you excited but I wanted it to sound different from everything else out right now.

Uh-huh. Because "Till the word ends" doesn't sound like Ke$ha's "We R who we R" what-so-ever. And "Criminal" bares zero resemblance to Madonna's "Miles away" and Nelly Furtado's "All good things (come to an end)". My eyes be rollin' like Limp Bizkit and spinning like a n***a's rims.

Britney's full of jokes. From what she told Rolling stone, to the album, to her lack of promotion. It's all just a big joke.